Saturday, August 28, 2010

Life On A Stage

I wander the world stage and find objects of past performances
      the broken child, the injured mother
I wander the world stage and find objects of past performances
     the broken mirror, the shattered lamp

The curtain rises and falls, the people leave their seats
     the performance is done
The curtain rises and falls, the people leave their seats
     the doors to the outside world are open

The lights, the sounds, the smell of the city
     the outside world distracts
The lights, the sounds, the smell of the city
     the performance has become a memory

The memory of a time long past
     sometimes it seems like a play
The memory of a time long past
     like someone else did the acting

Acting out the things within
     the demons we all must face
Acting out the things within
     humanity is all our concern

I wander the world stage and find objects of past performances
     the smiling child, the happy mother
I wander the world stage and find objects of past performances
     a full length mirror, a bright-lit lamp

The curtain rises and falls, the people stay in their seats
     the performance has held them firm
The curtain rises and falls, the people stay in their seats
     the outside world awaits in silence

Memory.  The performances of the past, holding firm.
Mirror.  It all reflects just what it sees.
Lamp.  It lights the darkness but creates a shadow.
Outside.  Sometimes better than inside ... but not always.

Performance.  Memory.  Life.
The curtain rises and falls.

6 comments:

  1. Love the flow and the rhythm of this poem, and your use of repetition.

    I also love that metaphor-- how our "performance" (dealing with our past, our demons?) affects the "audience" (those who are watching us?) I am probably just scratching the surface though here with this...will need to think about it more.

    The mirror and the lamp are interesting symbols as well.

    This is really nice!

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  2. Stylistically fine but a little to humanistic for my liking.

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  3. Mil,
    Be careful that you do not confuse human experience with humanistic response.

    I find myself very connected to the human experience because, well, it's real. It doesn't mean its right, that its honest, that it glorifies God. It just means it's real. In the midst of that reality we find God seeking us out, drawing us to Himself, that the real experience will be right, will be honest, will glorify Him.

    Hence the contrast between the world (outside the theatre of our experience) and God (deeply immersed in our lives and affecting others by it)

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  4. I was tempted to respond but perhaps you'd rather I give you time to think on it more? ;)

    I shouldn't tease like that but you seem a thoughtful person who would like to reflect on it more before I open it up. :)

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  5. I was very tired when I wrote that! With a considerably less fuzzy head today I am able to see a bit more... more clearly.

    This seems to be a poem of contrasts: the "real" world (it affects us?) vs. the "artificial" world (we create it and affect it?) , our internal world (our focus and where our heart is?) vs. the external world (distraction from what is important to us?) , the performer (our actions?) vs. the audience (those affected by our actions?), and stanzas 1and 2 contrast with 6 and 7.

    I am certain that you may have some other thoughts in mind with this, but this is what I am seeing :)

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